| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 1-18 |
| Abstraksi Narasi | : | The comparative constructions with more/ -er are complicated constructions. The comparative more/ -er can become a quantifier, noun phrase head, subject complement, noun modifier, adverb, and adjunct. Furthermore, the contrast between the main clause and the comparative clause in a sentence can occur in the subject, direct object, indirect object, subject complement, adverb, and predicate. The main clause and the subclass may also be completely different expect in the compared element. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 49-58 |
| Abstraksi Narasi | : | Symbol in a literary work is used to convey implicit meanings. This writing presents an interpretation on the symbolical aspects within Steinbeck`s The Chrysanthemums. The main purpose in this writing is to reveal the major symbol, the chrysanthemums. Steinbeck`s symbol is considered as a contextual symbol. The Chrysanthemums communicates a complex idea related to a marriage. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 59-68 |
| Abstraksi Narasi | : | Metaphysical Poetry is characterised by the extensive use of imaginative images and elaborate metaphors, which are called conceit. The poet`s ability in using such language is called wit. George Herbert, one of the religious metaphysical poets, possesses certain characteristics in his wit. This article tries to find out the style of wit. Helbert possesses as seen in one of his poems, "The Flower". This work is chosen because it represent Herbert`s creativity in exploring the spiritual life religiously. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 37-48 |
| Abstraksi Narasi | : | Symbols can be a challenging but interesting element in a work of literature, and that is the case in William Golding`s Lord of the Flies. In this work, Golding puts several contrasted symbols to build his classical theme of the good versus the evil. This article tries to examine closely the parallel position of those deliberately contrasted symbols, and to see their significance in the novel. |
| Nama Pengarang | : | Herujiyanto, Antonius, Wijanarka, Hirmawan, Adventina P.B Riono, Rosiandani, Ni Luh Putu, B. B. Dwijatmoko |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 19-36 |
| Abstraksi Narasi | : | Agreeing with Culler`s statement that theory is interdisciplinary--discourse with effects outside an original discipline, this essay tries to set examples verifying the assertion. This is, inevitably, followed by a brief look on literary theories achoed by some gurus of certain "schools". The discussion entails by looking into randomly chosen seven poems in the lights of these very "schools". |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 51-58 |
| Abstraksi Narasi | : | Men and women are always an interesting topic to discuss, especially when it comes to observing their relationships, their differing perceptions on what happens around them, and their reactions to certain simulations. Civilizations that seem to be patriarchal have provoked the attention of women who react against the domination of men, and who fight for the recognition of their existance as men`s counterparts in all aspects of life. The play discussed in this article, Trifles, portrays a picture of women`s condition in the early twentieth century, especially illustrating how they have been treated by the opposite sex. In short, Susan Glasspell tries to arouse the reader`s attention to the issue of gender. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 29-38 |
| Abstraksi Narasi | : | Feminist drama is a form of drama that articulate women`s viewpoints and experiences as women. It mostly explores social issues related to the impact of patriarchal culture on women. In The Conduct of Life, maria Irene Fornes, one of the pioneers of feminist drama, tries to portray the oppression of three women as the impact of male domonated system. through each female character she describes the sufferings that happen as a result of patriarchal system. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 1-11 |
| Abstraksi Narasi | : | In Bahasa Indonesia the traditionally-called relative pronoun "yang" is phonetically and morphologically so distinct from the Indonesian question words. The issue examined in this paper is whether "yang" is really a relative pronoun. It is concluded that "yang" functions more as a complementizer rather than as a relative pronoun. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 39-50 |
| Abstraksi Narasi | : | No definition of tragedy has been unchallenged so far. Since the time of Aristotle, it has been the subject of disagreement among prominent critics with or without literary background. Instead of defining tragedy in a concise formulation, Perrine suggests what he calls six archetypal features of tragedy. The purpose of this paper is to examine those features in two plays of classic and modern time respectively. |
| Nama Pengarang | : | Harris Hermansyah Setiajid, Sarwoto, Paulus, Francis Borgias Alip, Rosiandani, Ni Luh Putu, Adventina P.B Riono |
| Nama Majalah/Jurnal | : | Journal of Language and Literature |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 13-29 |
| Abstraksi Narasi | : | After the war, Steinbeck had many experiences which in turn caused him to change the nature of his writing and his viewpoint. The concept of phalanx he had established before the war seemed irrelevant when compared with the changing world. In his pre-was novels, Steinbeck expressed his belief in coopertion among men in order to achieve their own betterment. By the time war was over, morals had also changed because of the uncertainties created by the impact of war. In The Wayward Bus, one of his post-war novels, Steinbeck shows some changes in his concept of phalanx. He does not employ the concept in his novel. Instead, he creates a story which actually questions and doubts his own concept of phalanx. In The Wayward Bus, the concept of phalanx, indicated by three parameters, i.e. the union of purpose and cause, the holistic view of life, and the development of chracters thinking, cannot be seen. Not only does Steinbeck put aside the concept of phalanx, in The Wayward Bus he also fails to restructure a new concept. As a result, The Wayward Bus does not say anything significant. |
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