| Nama Pengarang | : | Jean-Pierre Chazal, Francois Raillon, Guillot, Claude, Kalus, Ludvik , Dumarcay, Jacques, Naniek Harkantiningsih, Eric Germain, Lucas Partanda Koestoro, Tineke Hellwig, Salmon, Claudine, Michael F. Laffan |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 109-152 |
| Abstraksi Narasi | : | Several articles, books and university papers dealing with the ``influence`` of Javanese music on Claude Debussy have skimmed over the shows of the so-called ``Javanese village`` built on the Esplanade des Invalides, which was part of the colonial exhibition of 1889. As a consequence, we are still left with many uncertainties about what was actually seen and heard. This article gathers existing French, Javanese and Dutch sources, and attempts to draw conclussions on three topics: the dance, music, and the men and women who took part in this significant meeting of two cultures. It encompasses a critical study of remaining texts, engravings, photographs and musical transcriptions put in their historical context. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 53-64 |
| Abstraksi Narasi | : | - |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 91-126 |
| Abstraksi Narasi | : | Portrait No. 364, representing a Batavia philantropist, Mariam Haroutunian (1780-1863), in the museum of Saint-Sauveur Armenian monastery of New Julfa in Isfahan, is believed to be the work of Raden Saleh. This attribution is confirmed by the concordance of their respective biographies and by several clues that, with reasonable probability, indicate 1854-1858 as the period of the making of the portrait. The Armenian community of Java, of which Mariam haroutunian was a well known figure, is one of the communities spread over Asia from the 17th century by the vast commercial network of the New Julfa, the Armenian suburb of Isfahan. It is in this context that one has to consider the roles of both that community and Mariam Haroutunian, who is responsible for the building of the Batavia Armenian church and for various charities in Batavia, Calcutta and Isfahan Julfa. A Europe transferred to Java was, besides attitudes towards exoticism, the site of encounter between the painter and his model. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 21-33 |
| Abstraksi Narasi | : | - |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 127-142 |
| Abstraksi Narasi | : | This historical study describes the life and times of a Tamil merchan who played a role in the commercial and political life of the sultanates of Northern Sumatra and the Malay Peninsula at the beginning of the 16th century. Nayinar Kuniyappanis known from Portuguese sources as he chose to be the portuguese ally on several occasions in the midst of the constant struggles for hegemony in the region. He was a wealthy merchan trading with Aceh, Kedah, and seems to have nourished political ambitions. When the Portuguese had to flee Samudra-Pasai in 1523 he followed them to Goa but was back in Malacca the following year. He eventually died in a naval fight with another merchant. It was then discovered that he may have been a Muslim. Through this colourful life story the turbulent times of the early European expansion are depicted. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 65-70 |
| Abstraksi Narasi | : | - |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 163-208 |
| Abstraksi Narasi | : | The ethnographic collections of artefacts originating from the Malay world, or ``Insulindia`` (present-day Malaysia, Indonesia and the Philippines) owned by the Musee de I`Homme in Paris comprise 10,215 items and can be compared with similar collections in many European museums. In 1878, at the time of the creation of the ``Musee d`Ethnographie du Trocadero`` which predated the Musee de I`Homme (created in 1937), there were only 64 Insulindian items. In 1918 their number had climbed to 2,833, and in 1950 to 5,206. Since then, their number has nearly doubled, reaching more than three times Polynesian collections in the same museum. This article is a preliminary description of this collection, at a time when it is about to be transfered, together with other exotic collections, to a brand new Musee des Srts et Civilisation which will be mainly devoted to the creations of ``primeval art``. This article first records the way the collection grew out of donations and other acquisitions over more than a century, and second, reviews the contents of the collections by ethnic groups. The second installment of the article will be published in Archipel No. 63. |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 71-90 |
| Abstraksi Narasi | : | - |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 34-38 |
| Abstraksi Narasi | : | - |
| Nama Pengarang | : | - |
| Nama Majalah/Jurnal | : | Archipel |
| Volume / Nomor Edisi | : | - |
| Nomor Halaman | : | 39-43 |
| Abstraksi Narasi | : | - |
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